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Friday, 15 February 2013

ANDROID TABLET WITH CALLING UNDERCOST 10000/-

ANDROID TABLET WITH CALLING FACILITY:
1. MICROMAX FUNBOOK.
PRICE:6500 TO 7000   

ANDROID VERSION;4.O OS

SCREEN;7 INCH CAPACITIVE TOUCH SCREEN

RAM: 512MBDDR3

INTERNAL; STORAGE;4GB

EXPANDABLE:32GB

PROCESSOR:1 GHZ CORTEX A8

PRIMARY CAMARA:0.3 MEGA PIXELS 


2.PENTA T TAB
PRICE:6900/-

ANDROID VERSION;4.O OS

SCREEN;7 INCH CAPACITIVE TOUCH SCREEN

RAM: 512MBDDR3

INTERNAL; STORAGE;4GB


PROCESSOR:1 GHZ CORTEX A8

PRIMARY CAMARA:0.3 MEGA PIXELS 

3.ZYNC Z 1000


PRICE;9999/- 
ANDROID VERSION;4.O OS 

UPGRADEEBLE;4.1 JELLY BEAN OS

SCREEN;9.7 LCD TOUCH SCREEN

RAM:1 GB

INTERNAL; STORAGE;8GB 

EXPANDABLE:32GB

PROCESSOR:1 .5GHZ CORTEX A8

PRIMARY CAMARA:2MEGA PIXELS 



GOOGLE ADSENCE 5 ALTERNATIVES

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BEST GOOGLE ADSENCE ALTERNATIVES:

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3.clicksor

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4.tribal fushion.

website;www.tribalfushion.com

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google adsence top 5 earners in the world

Are you in blogger you must have an adsence account.So how much do you really earn for month?.Only 9%of blogger manage to earn some thing.i will share with you the list of adsence earners.

TOP 5 ADSENCE EARNERS IN THE WORLD:

1.MASHABLE
WEBSITE.
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Thursday, 14 February 2013

Asteroid 2012 DA14 to Fly Near Earth Friday

Like trailers for the coming attraction, new images show asteroid 2012 DA14 on its way to a record-close approach to Earth on Feb. 15. One image, taken by amateur astronomer Dave Herald of Murrumbateman, Australia, on Feb. 13, shows the asteroid as a tiny white dot in the field of view. Another set of animated images, obtained by the Faulkes Telescope South in Siding Springs, Australia, on Feb. 14, and animated by the Remanzacco Observatory in Italy, shows the asteroid as a bright spot moving across the night sky.
These are some of many images that may be taken of the asteroid during its close - but safe - encounter with Earth. It will be observed by numerous optical observatories worldwide in an attempt to determine its rough shape, spin rate and composition. NASA scientists will use NASA's Goldstone Solar System Radar, located in California's Mojave Desert, to take radar images of the asteroid to determine its precise size and shape on Feb. 16, 18, 19 and 20. The NASA Near Earth Object Observation (NEOO) Program will continue to track the asteroid and predict its future orbit.
Asteroid 2012 DA14 is about 150 feet (45 meters) in diameter. It is expected to fly about 17,200 miles (27,000 kilometers) above Earth's surface at the time of closest approach, which is about 11:25 a.m. PST (2:25 p.m. EST) on Feb. 15. This distance is well away from Earth and the swarm of low Earth-orbiting satellites, including the International Space Station, but it is inside the belt of satellites in geostationary orbit (about 22,200 miles, or 35,800 kilometers, above Earth's surface.) The flyby of 2012 DA14 is the closest-ever predicted approach to Earth for an object this large.
The NASA Near Earth Object Observation (NEOO) Program detects and tracks asteroids and comets passing close to Earth using ground- and space-based telescopes. The network of projects supported by this program, commonly called "Spaceguard," discovers these objects, characterizes a subset of them and plots their orbits to determine if any could be potentially hazardous to our planet.
The Near-Earth Object Program Office at JPL manages the technical and scientific activities for NASA's Near-Earth Object Observation Program of the Science Mission Directorate in Washington. JPL is a division of the California Institute of Technology in Pasadena. The NEOO Program Office performs more precise orbit determination on the objects, and predicts whether any will become an impact hazard to the Earth, or any other planet in the solar system.

UNICEF and WHO condemn attacks on healthworkers in Nigeria

 
NEW YORK/GENEVA -- UNICEF and WHO join the Government of Nigeria in condemning attacks in Kano state, Nigeria, that have killed and injured healthworkers.
Such attacks are a double tragedy; for the health workers and their families and for the children and vulnerable populations who are robbed of basic life-saving health interventions. These attacks are unacceptable under any circumstance.
WHO and UNICEF extend their deepest sympathy to the families of the healthworkers. We remain committed to supporting the Government of Nigeria and the people of Nigeria in their efforts to better the health and lives of its people.

Churches and Convents of Goa,INDIA

Brief Description

The churches and convents of Goa, the former capital of the Portuguese Indies – particularly the Church of Bom Jesus, which contains the tomb of St Francis-Xavier – illustrate the evangelization of Asia. These monuments were influential in spreading forms of Manueline, Mannerist and Baroque art in all the countries of Asia where missions were established.

Long Description

These monuments of Goa exerted great influence in the 16th-18th centuries on the development of architecture, sculpture, and painting by spreading forms of Manueline, Mannerist and Baroque art throughout the countries of Asia where Catholic missions were established. In so doing they illustrate the work of missionaries in Asia.
The Portuguese explorer Alfonso de Albuquerque conquered Goa in 1510 and the Portuguese ruled the territory until 1961. The colony of Goa, which has its centre in Old Goa, became the capital of the vast eastern Portuguese Empire, sharing the same civic privileges as Lisbon. By 1635, the successive waves of Europeans brought about the inevitable decline of Goa.
In 1542 the Jesuits, who were driven by the ardour of medieval crusaders, arrived in the city and Francis Xavier, one of the founders of the Society of Jesus, rapidly became the patron saint of Goa. The churches in Old Goa aimed to awe the local population into conversion and to impress upon them the superiority of the foreign religion. The facades were accordingly made tall and lofty and the interiors were magnificent, with twisted Bernini columns, decorated pediments, profusely carved and gilded altars, and colourful wall paintings and frescoes.
Local laterite was used in the construction of the churches, which had to be plastered and finished with a lime whitewash, while the trimmings were sometimes of basalt. The colour white was so identified with churches that the local administration ruled that no house could be painted that colour.
Of the 60 churches inventoried in the 18th century before the city was abandoned, seven major examples survive. The Sé Cathedral with its Tuscan exterior, Corinthian columns, raised platform with steps leading to the entrance, and barrel-vault is another example of Renaissance architecture. The paintings in the church were executed on wooden boards and fixed between panels with floral designs. Except for a few statues which are in stone, most of the other statues of the saints, the Virgin Mary, and Jesus were first carved in wood and then painted to adorn the altars.
The Chapel of St Catherine dating from 1510, the Church and Convent of Saint Francis of Assisi (which now houses the Archaeological Museum), and the Church of Bom Jesus where the mortal remains of St Francis Xavier rest, are some of the best in terms of design and style. Also of importance are St Gagtan and its seminary, Our Lady of the Rosary (one of the earliest churches to be built), and the Tower of St Augustine, all that remains of a convent built in 1572. The Church of St Cajetan has a facade decorated with lonic, Doric, and Corinthian pilasters.
Other monuments are partially or completely in ruins, but they nonetheless constitute an archaeological reserve of considerable interest.

Ajanta Caves,INDIA

Brief Description

The first Buddhist cave monuments at Ajanta date from the 2nd and 1st centuries B.C. During the Gupta period (5th and 6th centuries A.D.), many more richly decorated caves were added to the original group. The paintings and sculptures of Ajanta, considered masterpieces of Buddhist religious art, have had a considerable artistic influence.

Long Description

The style of Ajanta has exerted a considerable influence in India and elsewhere, extending, in particular, to Java. With its two groups of monuments corresponding to two important moments in Indian history, the Ajanta cave ensemble bears exceptional testimony to the evolution of Indian art, as well as to the determining role of the Buddhist community, intellectual and religious foyers, schools and reception centres in the India of the Gupta and their immediate successors.
The caves are situated 100 km north-east of Ellora, 104 km from Aurangabad and 52 km from Jalgaon Railway Station. They are cut into the volcanic lava of the Deccan in the forest ravines of the Sahyadri Hills and are set in beautiful sylvan surroundings. These magnificent caves containing carvings that depict the life of Buddha, and their carvings and sculptures are considered to be the beginning of classical Indian art.
The 29 caves were excavated beginning around 200 BC, but they were abandoned in AD 650 in favour of Ellora. Five of the caves were temples and 24 were monasteries, thought to have been occupied by some 200 monks and artisans. The Ajanta Caves were gradually forgotten until their 'rediscovery' by a British tiger-hunting party in 1819.
The Ajanta site comprises thirty caves cut into the side of a cliff which rises above a meander in the Waghora River. Today the caves are reached by a road which runs along a terrace mid-way up the cliff, but each cave was once linked by a stairway to the edge of the water. This is a Buddhist community, comprising five sanctuaries or Chaitya-grihas (caves 9, 10, 19, 26 and 29) and monastic complex sangharamas or viharas. A first group of caves was created in the 2nd century BC: the chaitya-grihas open into the rock wall by doorways surmounted by a horse-shoe shaped bay. The ground plan is a basilical one: piers separate the principal nave from the side aisles which join in the apsis to permit the ritual circumambulation behind the (commemorative monument). This rupestral architecture scrupulously reproduces the forms and elements visible in wooden constructions.
A second group of caves was created at a later date, the 5th and 6th centuries AD, during the Gupta and post-Gupta periods. These caves were excavated during the supremacy of the Vakatakas and Guptas. According to inscriptions, Varahadeva, the minister of the Vakataka king, Harishena (c. AD 475-500), dedicated Cave 16 to the Buddhist sangha while Cave 17 was the gift of the prince, a feudatory. An inscription records that the Buddha image in Cave 4 was the gift of some Abhayanandi who hailed from Mathura.
The earlier architectural formulas were re-employed but treated in an infinitely richer and more ample manner. The decoration attained, at this time, an unequalled splendour: the statuary is numerous (it was already permissible to represent Buddha as a human; these representations are found both on the facades and in the interior). Finally, the wall painting, profuse and sensitive, constitutes, no doubt, the most striking artistic achievement of Ajanta.
Under the impulse of the Gupta dynasty, Indian art in effect reached its apogee. The Ajanta Caves are generally decorated with painted or sculpted figures of supple form and classic balance with which the name of the dynasty has remained synonymous. The refined lightness of the decoration, the balance of the compositions, the marvellous beauty of the feminine figures place the paintings of Ajanta among the major achievements of the Gupta and post-Gupta style and confer on them the ranking of a masterpiece of universal pictorial art.

 
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